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chorale
BWV 639 — string arrangement for beginners
Alexander Evstyugov-Babaev
3:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 24 0 9 3 100%
Vn Treble 9 0 0 7 100%
Vn/Va Treble 19 0 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 24 0 9 3 100%
Vn Treble 9 0 0 7 100%
Vn/Va Treble 19 0 6 2 100%
 
Daily Composition #5
StephenM
0:26 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 17 0 5 3 100%
T B Bass 20 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 17 0 5 3 100%
T B Bass 20 0 3 3 100%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Daily Composition #4
StephenM
0:27 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 3 100%
T B Bass 19 0 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 3 100%
T B Bass 19 0 4 3 100%
 
Doxology Chorale
Mdlou99
0:27 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 12 0 3 3 100%
Treble 14 8 2 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 12 0 3 3 100%
Treble 14 8 2 2 100%
Alto
Saxophone		 Treble 21 14 4 3 100%
BaccidentalFlat
Clarinet		 Treble 21 14 3 2 100%
BaccidentalFlat
Tuba		 Treble 18 12 5 4 100%
Baritone
Horn		 Treble 17 4 4 3 100%
Baritone
Saxophone		 Treble 10 2 3 3 100%
Bass
Clarinet		 Treble 17 4 4 3 100%
Contrabass
Clarinet		 Treble 16 9 4 3 100%
F
Mellophone		 Treble 13 0 3 3 100%
Flute Treble 21 13 3 2 100%
Trombone Treble 18 7 2 3 100%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.
SDG
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
 
BWV245N17- Ach großer König, groß zu allen Zeiten
edward.maurath
0:57 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 12 5 4 100%
Bass 19 17 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 12 5 4 100%
Bass 19 17 4 3 100%
Alti 11 0 3 4 100%
Bassi Bass 13 0 4 3 100%
Bassono Grosso Continuo Bass 17 0 4 3 100%
Bassoon Continuo Bass 17 0 4 3 100%
Contrabassi Continuo Bass 17 0 4 3 100%
Flauto Traverso Treble 11 0 2 6 100%
Oboe 1 Treble 11 0 2 6 100%
Oboe 2 Treble 11 0 3 4 100%
Organo Continuo Treble 12 18 4 4 100%
Soprani 11 0 2 6 100%
Tenori 10 0 3 4 100%
Viola 10 0 3 4 100%
Violin 1 Treble 11 0 2 6 100%
Violin 2 Treble 11 0 3 4 100%
Violoncelli Continuo Bass 17 0 4 3 100%
 
242. Meinen Jesum lass' ich nicht. BWV 380.
SDG
0:44 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 17 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 17 0 4 3 50%